Archive for category Hymns

Hymn stories: Here is Love Vast as the Ocean

Here is Love Vast as the Ocean is undoubtedly one of the greatest hymns ever written. For many Christians it communicates the essence of Christianity perfectly.

But what’s the story behind the hymn? And when was it written? Let’s look at some of the lyrics and explore. The hymn begins with these words;

Here is love, vast as the ocean,
loving kindness as the flood:
when the Prince of Life, our Ransom,
shed for us His precious blood.
Who His love will not remember?
Who can cease to sing His praise?
He can never be forgotten
throughout heav’n’s eternal days
.”

The above lyrics are an English translation by William Edwards. The original hymn was written by welsh poet, and minister William Rees of Llansannan. Rees was born in 1802 and today a memorial stands near the village church.

In his hometown William Rees was raised a Calvinistic Methodist and as a boy he worked as a shepherd on a farm. He was educated at the local village school during the winter months and he would also educated himself. Later he became involved in a local independent chapel and began preaching and was appointed minister at Mostyn in 1831 and Swan Lane in 1837. He became quite famous for his preaching, and in 1847 his hymn “Dyma gariad fel y moroed” (Here is Love) and was first published. Amidst growing popularity Rees moved to Liverpool and eventually to Chester where he died on 8 November, 1883.

Rees was not only a preacher but a very influential person in welsh politics. He was also the publisher of Yr Amserau (“The Times”) a journal printed in Liverpool. Rees was also in favour of the disestablishment of the church in Wales, views which no doubt contributed to the popularity of his hymn in during the welsh revivals of 1904-1905.

I have visited Llansannan many times and I find it a pleasant yet unsophisticated rural area. I also filmed in the area for my documentary on William Salesbury. Both Salesbury and Rees have Llansannan in common and for this reason I included my instrumental version of the hymn among the opening scenes of my film. For me, the lyrical depths of his hymn demonstrate how accurately he understood the message of Christianity. God is love and His love is vast as the ocean. Yet it cannot be ignored, his use of the ocean as a metaphor has many implications to it. To describe the love of God as being vast as the ocean, is to imply there is something to be feared. As great and vast as the ocean is many have perished in its waves. I have spent many days and hours of years in Wales and it is dominated by its glorious coastline. As a singer-songwriter I am aware how composers interpret the world they live into a lyrical art flow of poetic splendour. I believe the North Wales coast served as the source of illustration for this great hymn and have no doubt that Rees sat along the seafront and reimagined what it all means in light of the love of God. As vast as the ocean is, to journey upon it has been the destruction of many. Yet at the same time, it provides great pleasure, and food for all and helps nation meet nation.

Back in the Biblical times the ocean was one of main ways St Paul reached the gentiles. Yet like so many in the ancient Greco Roman world, he too faced shipwreck. He suffered a great deal for the cause of the gospel. There is no escaping it, life in Christ is both a joy and a conflict at the same time. Rather like the ocean, I admire its breathtaking eternity, yet I do not deny its power. I do not deny that many have taken a voyage upon the ocean, only to find themselves shipwrecked and lifeless at the bottom of the abyss.

I wonder if you think that love vast as the ocean means that because God loves us all, life is all smooth sailing from now on? In his hymn Rees makes a number of references to the “flood” and “fountains open deep and wide”, “floodgates” and “mighty rivers” all of which reflect North Wales in some sense. Likewise he also mentions the pain God in Christ endured to save us “on the mount of crucifixion”. Probably the most horrific and torturous method of execution in the Roman world.

These lyrics reflect the mystery of suffering. Of which some take the viewpoint that if God exists and cares for us, why does suffering exist? I would respond that it is because suffering exists God exists. We cannot have joy without pain. We cannot have goodness without evil. We cannot have light without darkness. As the sea exists so shipwrecks must exist. Suffering is love vast as the ocean, and I say this because God demonstrated His love by sending Christ to suffer and die for us, in our place. As the hymn says,

Here is love, vast as the ocean,
loving kindness as the flood:
when the Prince of Life, our Ransom,
shed for us His precious blood
.”

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Guide me O, Thou great Jehovah

In the 18th century, William Williams (1717-1791) wrote the well known Welsh hymn “Guide me O, Thou great Jehovah”. This hymn in the original Welsh was known as “Arglwydd, arwain trwy’r anialwch”. 

Today in Wales, it is known as “Cwm Rhondda”. In the Anglican Church it is often known as ‘Guide me O, Thou great Redeemer‘. In other traditions ‘Bread of Heaven‘.

When I was a boy, I often looked through my fathers record collection. He had a vinyl LP called “Songs of the Valleys” by the London Welsh Male Voice Choir. The sleeve had a green cover with a picture of the Welsh hills on it. I loved that album, and the track “Bread of Heaven” stood out to me more than most.

There was something about the sound of the Welsh Male Voice Choir singing the chorus “Bread of Heaven”. The sound called my soul to stand up and rejoice and know that some things are beyond us.

The above YouTube video is my version of this timeless and wonderfully powerful hymn. I love Anglican music and my version reflects that tradition of that great organ sound.

I originally recorded the track as part of a larger project. But I have decided to give it a brief, none commercial hearing, for now, during the ‘Coronavirus’ pandemic. 

May our Lord Jesus Christ guide you, and your spirit, as this East Wind continues to blow.

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Hymn Stories: The Day Thou Gavest Lord, Is Ended

The Day Thou Gavest Lord, Is Ended, is a classic hymn, greatly upheld as a favourite in Britain and the Anglican Communion, and is sung in many Churches of other denominations.

It was written in the 19th century by Church of England minister, John Ellerton (1826-1893). The story goes that in 1870, the Rev Ellerton was walking home after teaching classes at the Mechanics’ Institute and noticed how beautiful the night was. He wrote the lyric based upon that inspiring moment. Being customary in the Anglican Communion to give thanks to God ‘Morning and Evening’ the lyrics reflect 1 Chronicles 23: 30 and Psalm 113: 3. Christians from the earliest days of the faith, gave thanks to God both in the morning and the evening. This hymn reflects that practice.

It is easy to assume that the words and music of such great hymns were written entirely by one person, but this is not always the case. The melody for The Day Thou Gavest Lord, Is Ended is actually set to the Hymn tune known as St. Clement, in 98. 98. meter. This tune is generally credited to Clement Cotteril Scholefield (1839-1904) and first appeared in a hymnbook in 1874. This publication was known as Church Hymns and Tunes.

This inspiring and uplifting melody sets the lyrics in motion for an ever flowing waltz of affectionate love. These are no mere words of a self focused individual, but from the soul of a person devoted and affectionate to the One true God. They ascribe to God the honour and praise as the One who gave the sinner the gift of each day and night. The knowing that God hears the praises of His people. They give thanks to Him continuously for His provision and building of His Church. That she is unchanging, and “unsleeping” as the world worries its way through life. That men’s empires pass away, but the Kingdom Christ has established, will never pass away for He is her King.

For me, the lyrics “Thy Kingdom stands and grows forever” reflect the constancy of the Kingdom of Christ and the sovereignty of His reign. The word “Thy” reflects the singular focus upon the Kingship and person of Christ. “Thy Kingdom stands and grows forever” does not relate to any supposed Kingdom to come in our future, or during any futuristic millennium, but the identity of Christ’s Kingdom, being His Church, was expected and prayed for during the lifetime of Jesus (Matthew 6: 10). That the reign of Messiah (upon the Throne of David) was proclaimed, by the preaching of Peter, that the prophecy concerning the throne of David was fulfilled by and at the death and resurrection of Christ (Acts 2: 30-36). Who’s Kingdom knows no end (Isaiah 9: 7, Luke 1: 33).

The lyric speaks of the continuing growth of Christ’s everlasting Kingdom. That His people are everywhere beneath the “Western skies” and such can never be destroyed.

The hymn has continued to be sung in Churches everywhere and today it remains the official hymn of the Royal Navy and has also been included in many editions of the Scottish Psalter, and Methodist hymnbooks.

When I recorded instrumental versions of this melody for use my documentaries, I explored the melody from a purely musical perspective. I let the notes raise my soul to the spiritual realms of musical praise. Where music can take the soul into places where words cannot enter. Many modern chorus’ and so-called ‘praise and worship’ songs do not have the power or depth to attain that.

I love the idea and sound of traditional Anglican Church music, and although I have yet to ever attend a service where this hymn has been sung, it has quite possibly become my favourite hymn.

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