Archive for July, 2019
The Day Thou Gavest Lord, Is Ended, is a classic hymn, greatly upheld as a favourite in Britain and the Anglican Communion, and is sung in many Churches of other denominations.
It was written in the 19th century by Church of England minister, John Ellerton (1826-1893). The story goes that in 1870, the Rev Ellerton was walking home after teaching classes at the Mechanics’ Institute and noticed how beautiful the night was. He wrote the lyric based upon that inspiring moment. Being customary in the Anglican Communion to give thanks to God ‘Morning and Evening’ the lyrics reflect 1 Chronicles 23: 30 and Psalm 113: 3. Christians from the earliest days of the faith, gave thanks to God both in the morning and the evening. This hymn reflects that practice.
It is easy to assume that the words and music of such great hymns were written entirely by one person, but this is not always the case. The melody for The Day Thou Gavest Lord, Is Ended is actually set to the Hymn tune known as St. Clement, in 98. 98. meter. This tune is generally credited to Clement Cotteril Scholefield (1839-1904) and first appeared in a hymnbook in 1874. This publication was known as Church Hymns and Tunes.
This inspiring and uplifting melody sets the lyrics in motion for an ever flowing waltz of affectionate love. These are no mere words of a self focused individual, but from the soul of a person devoted and affectionate to the One true God. They ascribe to God the honour and praise as the One who gave the sinner the gift of each day and night. The knowing that God hears the praises of His people. They give thanks to Him continuously for His provision and building of His Church. That she is unchanging, and “unsleeping” as the world worries its way through life. That men’s empires pass away, but the Kingdom Christ has established, will never pass away for He is her King.
For me, the lyrics “Thy Kingdom stands and grows forever” reflect the constancy of the Kingdom of Christ and the sovereignty of His reign. The word “Thy” reflects the singular focus upon the Kingship and person of Christ. “Thy Kingdom stands and grows forever” does not relate to any supposed Kingdom to come in our future, or during any futuristic millennium, but the identity of Christ’s Kingdom, being His Church, was expected and prayed for during the lifetime of Jesus (Matthew 6: 10). That the reign of Messiah (upon the Throne of David) was proclaimed, by the preaching of Peter, that the prophecy concerning the throne of David was fulfilled by and at the death and resurrection of Christ (Acts 2: 30-36). Who’s Kingdom knows no end (Isaiah 9: 7, Luke 1: 33).
The lyric speaks of the continuing growth of Christ’s everlasting Kingdom. That His people are everywhere beneath the “Western skies” and such can never be destroyed.
The hymn has continued to be sung in Churches everywhere and today it remains the official hymn of the Royal Navy and has also been included in many editions of the Scottish Psalter, and Methodist hymnbooks.
When I recorded instrumental versions of this melody for use my documentaries, I explored the melody from a purely musical perspective. I let the notes raise my soul to the spiritual realms of musical praise. Where music can take the soul into places where words cannot enter. Many modern chorus’ and so-called ‘praise and worship’ songs do not have the power or depth to attain that.
I love the idea and sound of traditional Anglican Church music, and although I have yet to ever attend a service where this hymn has been sung, it has quite possibly become my favourite hymn.